2. The impact of classical art & architecture upon that of later centuries. There is a sample paper available, explaining what I'm doing.
Computing for Non-Scientific Applications, (joint author with D. Andrews), Leicester University Press, Leicester 1987, 346pp;
Donatello & his Sources, Duckworth, London 1982, 226pp;
Bernini and the City of Rome (6th Sir William Dobell Memorial lecture), Sydney 1988, 38pp;
The Survival of Roman Antiquities in the Middle Ages, Duckworth, London 1989, 288pp;
What is Classicism?, Academy Editions, London 1990, 72pp;
Essential Guide to Art History (joint author with P. Duro), Bloomsbury, London 1992, 311pp;
"Romanticism: a definition", Art & Design: The New Romantics, IV.11/12, 1988, 20-35;
`Videodisks and their future in Art History', in Visual Resources, VI, 1989, 141-164;
`Graphical data in Art History and the Humanities: their storage and display', in History & Computing, I.2, 1989, 121-34
`A user view of art databases', in Terminology for Museums (Proceedings of an International Conference, Cambridge 1988), Cambridge 1990, 526-32;
"The discovery of Roman sculpture in the Middle Ages: Venice and Northern Italy", Venezia e l'Archeologia (Congress, 1988), Rivista di Archeologia, Suppl. 7, Rome 1990, 157-64;
The computerisation of museum collections', in Ancient History: Resources for Teachers, XXI.1, 1991, 34-43;
The final stages of compilation preceding editing are about to begin on a book solicited from me by Messrs Routledge of London, and entitled The Making of Art. I am editing this in collaboration with Dr Alison Yarrington, of the University of Leicester;
I have been invited to guest-edit a 1994 issue of Computers and the History of Art, and will focus on the potential for computerized graphics in the discipline;