The following is a compilation of scholarship on Virginia Woolf published in 1998.  It is produced and maintained for The International Virginia Woolf Society, with the cooperation of MetaLab at the University of North Carolina-Chapel Hill.  My sources include various electronic data bases plus information provided by friends of Woolf everywhere. I make no claims to be exhaustive, but I do try to be comprehensive. (Apologies for the lack of consistency in accent marks; the whimsies of electronic reproduction are to blame.) If you have items to add, or corrections to offer, please send them to me, sally@metalab.unc.edu.  Or mail them to me at 406 Morgan Creek Drive, Chapel Hill, North Carolina, USA, 27514.

                                                                                    --Sally Greene, bibliographer/historian, International Virginia Woolf Society

Bibliographies from 1996, 1997, and 1999 are also available.  And check out the "passing glances" to Woolf as well.

Special issues or volumes

Woolf Studies Annual, vol. 4, edited by Mark Hussey for Pace University Press.  Individual essays are indexed below.

The Virginia Woolf Miscellany no. 51 (Spring 1998) is a miscellaneous issue.  Judith Allen and Pierre-Éric Villeneuve are coeditors of the fall issue, no. 52, which considers the question of Woolf and linguistics-based criticism.  Individual essays are indexed below.

Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf.  Edited by Laura Davis and Jeanette McVicker for Pace University Press.  Individual items are indexed below.

The Virginia Woolf Review, no. 15, published by the Virginia Woolf Society of Japan, is indexed below.

Multimedia

*Dominick Argento's setting to music of selections from Woolf's diary is recorded, along with selections from Kurt Weill, Arthur Honegger, and others, on a sound cassette published by the Baldwin-Wallace College Conservatory of Music, Berea, Ohio:  Looking Back at the 20th Century in Song.

Other items of special note

Mitchell Leaska’s biography, Granite and Rainbow: The Life of Virginia Woolf (Farrar, Straus & Giroux), appeared in May.

The Shakespeare Head edition of Orlando, edited by J.H. Stape, is out from Blackwell of London.

Two novels published this year demonstrate that Virginia Woolf in some important ways still lives.  Each interweaves aspects of her life and work into a new and original narrative.

The 1999 Pulitzer Prize, the PEN/Faulkner Award, and the Publishing Triangle Award (New York City) went to The Hours (Farrar, Straus & Giroux), by Michael Cunningham.  The novel involves three "day in the life of" plot lines: Virginia Woolf writing Mrs. Dalloway, a woman in California reading Mrs. Dalloway in 1949, and a woman of the present time named Clarissa who lives in New York (with a woman named Sally) and is planning to give a party.  (An excerpt was published in the New Yorker of September 21, 1998 as "A Room at the Normandy.") Mrs. Dalloway was "the first novel I fell in love with," said Cunningham on the Jim Lehrer Report (PBS, April 13, 1999); and it shows.  Cunningham has also said, "People have a remarkably proprietary sense of Virginia Woolf, more than just about any other figure I know.  We all seem to feel that we have our Virginia Woolf . . . and I think we're all right.  She's that big; there's something there for all of us to home in on" (a quotation accessible through the New York Times of April 12, 1999, where you can also hear Cunningham reading from the book).

Sigrid Nunez’s novel Mitz:  The Marmoset of Bloomsbury appeared in May from HarperFlamingo, the new literary imprint of HarperCollins.  Inspired to some degree by Flush, Woolf’s biography of Elizabeth Barrett Browning’s cocker spaniel, Mitz is a biography of the Woolfs’ pet monkey Mitz, who lived with them between 1934 and 1938.  Like Flush, Nunez tells us, the book combines documented biographical material with invented details and dialogue.  An excerpt from Mitz appeared in the New England Review18 (1997).  (Mitz is Nunez’s third novel.  Her first, A Feather on the Breath of God [HarperPerennial, 1996], includes some references to Woolf--should anyone want to read it and write up a "passing glance.")

Woolf's short story "Solid Objects" (1920) is republished in The Oxford Book of English Short Stories, edited by A. S. Byatt. And Penguin published an edition of The Years, edited by Jeri Johnson.

Her short story "The New Dress" (1927) is one of the texts considered in vol. 4 of Short Stories for  Students: Presenting Analys, Context, and Criticism on Commonly Studied Novels, Gale Publications (Detroit) 1998.  Each entry contains plot summary, themes, style, historical context, etc.

And Jane Goldman has edited for Columbia Univ. Press a "critical guide" to To the Lighthouse and The Waves (indexed below).

An essay by Canadian poet Anne Carson appeared in April in the first issue of a new literary magazine, Fence.  "Ordinary Time:  Virginia Woolf and Thucydides on War" deals with, among other things, "The Mark on the Wall."

Wayne Chapman and Janet Manson have coedited Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education (Pace Univ. Press, 1998).  Julia Briggs calls it "an absorbing collection of essays, which helps to set Woolf’s feminism and pacifism in a carefully researched context of the work of often forgotten women workers."  Individual chapters are indexed below.

Edward L. (Ted) Bishop has edited the holograph draft of Jacob’s Room found in the Berg Collection of the New York Public Library (Virginia Woolf’s Jacob's Room: The Holograph Draft [Pace Univ. Press, 1998]).

In Aspects of Bloomsbury: Studies in Modern English Literary and Intellectual History (St. Martin's), S.P. Rosenbaum reprints a number of his important essays from the past 25 years, including his preface to the manuscript Women & Fiction (the predecessor to A Room of One's Own), a discussion of Woolf's "philosophical realism," and a consideration of "Leonard and Virginia Woolf at the Hogarth Press."

*Patrick Deane's History in Our Hands: A Critical Anthology of Writings on Literature, Culture, and Politics from the 1930s (Leicester Univ. Press), is a rich sourcebook of original writings from the decade of the so-called "Auden Generation"--and its aim is to demonstrate that that label represents a "myth" (which, he claims may well have begun with the Hogarth Press' decision to publish the volume of poetry New Signatures in 1934).  A portion of Three Guineas is found here, but Woolf scholars will be more interested in everything else.

*Readings in Renaissance Women's Drama: Criticism, History, and Performance 1594-1998, ed. S.P. Cerasano and Marion Wynne-Davis (Routledge), demonstrates that Woolf is still being blamed for the assumption, only recently exploded by Renaissance feminists, that women of the Renaissance did not write.  The first sentence of the introduction:  "Recalling the dismal fate of Virginia Woolf's fictional playwright, Judith Shakespeare, we might be prompted to ask why Early Modern women such as Mary Sidney, Elizabeth Cary, Mary Wroth and the Cavendish sistered dared to write a play at all?"  Two excerpts from Woolf's writings on Renaissance women (one only a paragraph long) are reprinted in this anthology.  (See "New publications of texts by Virginia Woolf," below.)

Award-winning Woolf indexer Laura Moss Gottlieb has performed a great service by compiling, for Sonoma State Univ. Press, a comprehensive index of the short but immeasurably valuable essays found in the Virginia Woolf Miscellany.

The Bloomsbury Heritage Series, edited by Jean Moorcroft Wilson for Cecil Woolf Publishers, published three monographs in 1998:

NOTE: Items marked with an asterisk  (above and below) have been added since the hard copy of the bibliography was last distributed to members of the International Virginia Woolf Society.

Books

Benzel, Kathryn N.  Charleston, A Voice in the House.  London: Cecil Woolf [Bloomsbury Heritage], 1998.

Bishop, Edward L., ed.  Virginia Woolf’s Jacob’s Room: The Holograph Draft.  New York: Pace Univ. Press, 1998.

Boon, Kevin A.  An Interpretive Reading of Virginia Woolf's The Waves.  Lewiston, N.Y.: Edwin Mellen, 1998.

Carlston, Erin G.  Thinking Fascism:  Sapphic Modernism and Fascist Modernity.  Stanford: Stanford Univ. Press, 1998. (Considers Woolf along with Djuna Barnes, Marguerite Yourcenar, and Denier du Reve.)

Carpentier, Martha Celeste.  Ritual, Myth, and the Modernist Text: The Influence of Jane Ellen Harrison on Joyce, Eliot, and Woolf.  Amsterdam: Gordon & Breach, 1998.

Cervetti, Nancy.  Scenes of Reading: Transforming Romance in Brontë, Eliot, and Woolf.  New York:  Peter Lang, 1998.

Chapman, Wayne K., and Janet M. Manson, eds. Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education.  New York: Pace Univ. Press, 1998.

Cheng, Yuan-Jung.  Heralds of the Postmodern: Madness and Fiction in Conrad, Woolf, and Lessing.  New York:  Peter Lang, 1998.

Coates, Irene.  Who's Afraid of Leonard Woolf? A Case for the Sanity of Virginia Woolf.  Sydney: Brandl & Schlesinger, 1998.

Cotte, Pierre.  L'Explication grammaticale de textes anglais.  2d ed. Paris: Presses universitaires de France, 1998.  (Considers A Room of One's Own and works by George Eliot, among other things.)

Davis, Laura, and Jeanette McVicker, eds.  Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf.  New York: Pace Univ. Press, 1998.

*Deane, Patrick.  History in Our Hands: A Critical Anthology of Writings on Literature, Culture, and Politics from the 1930s.  London: Leicester Univ. Press, 1998.  (See headnote above.)

Dever, Carolyn.  Death and the Mother from Dickens to Freud: Victorian Fiction and the Anxiety of Origins.  New York: Cambridge Univ. Press, 1998.  (Considers To the Lighthouse among other things.)

Goldman, Jane.  The Feminist Aesthetics of Virginia Woolf: Postmodernism, Post-Impressionism, and the Politics of the Visual.  Cambridge: Cambridge Univ. Press, 1998.  (Goldman traces Woolf’s fascination with the aesthetic possibilities of the postimpressionist exhibition of 1910 and the solar eclipse of 1927 by linking her response to wider literary and cultural contexts.)

___, ed.  Virginia Woolf, To the Lighthouse, The Waves.  New York: Columbia Univ. Press [Columbia Critical Guides], 1998.

Gottlieb, Laura Moss.  Virginia Woolf Miscellany: The First Fifty Issues, 1973-1998.  Rohnert Park, Calif.: Sonoma State Univ., 1998. (A cumulative index.)

Groen, Hein.  De rumite van Virginia Woolf.  Amstelveen: B. Lubberhuizen, 1998.

Hintkiia, Jaakko.  El viaje filosofico mas largo: de Aristotles a Virginia Woolf.  Barcelona: Gedisa Editorial, 1998.

Holmesland, Oddvar.  Form as Compensation for Life:  Fictive Patterns in Virginia Woolf's Novels.  Columbia, S. C.:  Camden House, 1998.

Kanigel, Robert.  Vintage Reading:  From Plato to Bradbury:  A Personal Tour of Some of the World's Best Books.  Baltimore, Md.:  Bancroft, 1998.  (Considers A Room of One's Own as part of a truly eclectic checklist that includes Oliver Twist, My Antonia, Madame Bovary, Ten Days that Shook the World, the essays of Montaigne, the dialogues of Plato, The Devil's Dictionary, The Origin of Species, The Federalist Papers, The Annals of Imperial Rome, Coming of Age in Samoa, Roughing It, The Song of Hiawatha, The Elements of Style, and many others.)

Leaska, Mitchell.  Granite and Rainbow: The Life of Virginia Woolf.  New York: Farrar, Straus & Giroux, 1998.

Luckhurst, Nicola.  Bloomsbury in Vogue.  London: Cecil Woolf [Bloomsbury Heritage], 1998.

Mannoni, Maud.  Elles ne savent pas ce qu'elles disent.  Paris: Denoel, 1998.

Marsh, Nicholas.  Virginia Woolf, the Novels.  New York: St. Martin's, 1998. (Also published by Macmillan.)

*Parke, Barbara.  Virginia Woolf: A Reader's Guide, All the novels and a Sampling of her Nonfiction.  Shaker Heights, Ohio: Angell, 1999.

Tremper, Ellen.  "Who Lived at Alfoxton?": Virginia Woolf and English Romanticism.  Lewisburg, Pa., and London: Bucknell Univ. Press and Associated Univ. Presses, 1998.

Wussow, Helen.  The Nigbhtmare of History: The Fictions of Virginia Woolf and D.H. Lawrence.  London: Associated Univ. Presses, 1998.

Yoss, Michael.  Raymond Mortimer.  London: Cecil Woolf [Bloomsbury Heritage], 1998.

Journal articles, book chapters, and notes

Abraham, Julia. "‘Had Not That, After All, Been Love?’" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 7-8.  New York: Pace Univ. Press, 1998.

Allen, Judith, and Pierre-Eric Villeneuve.  "Virginia Woolf and the Philosophies of Language" (introduction). Virginia Woolf Miscellany 52 (Fall 1998): 1.

*Ames, Christopher.  "Carnivalesque Comedy in Between the Acts."  Twentieth-Century Literature 44 (1998): 394-408.

Anderson, Idris Baker.  "The Greek Optative in the Narrative Style of To the Lighthouse."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 195-202.  New York: Pace Univ. Press, 1998.

Banks, Joanne Trautmann.  "Editing Woolf’s Letters: Confessions of a Footnote Fetishist."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 69-78.  New York: Pace Univ. Press, 1998.

Barrett, Eileen.  "The British Society for the Study of Sex Psychology: Bloomsbury and the Medicalization of Same-Sex Love."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 111-16.  New York: Pace Univ. Press, 1998.

___.  "Woolf’s Lesbian Erotics of the Soul" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 5-7.  New York: Pace Univ. Press, 1998.

Barrett, Michele.  "Virginia Woolf Meets Michel Foucault."  Virginia Woolf Miscellany 52 (Fall 1998): 4-5.

Bartkevicius, Jocelyn.  "‘In Relation to the Sky’: Virginia Woolf’s Other Real World."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 244-50.  New York: Pace Univ. Press, 1998.

Bellamy, Suzanne. "Love and Politics, the Room Within . . . ."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 16-17.  New York: Pace Univ. Press, 1998.

Bicknell, John.  "Tricks and Fables" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 57-58.  New York: Pace Univ. Press, 1998.

*Black, Naomi.  "'Not a Novel, They Said': Editing Virginia Woolf's Three Guineas."   In Editing Women, ed. Ann M. Hutchison, 27-54.  Toronto: Univ. of Toronto Press, 1998.  (Papers Given at the Thirty-First Annual Conference on Editorial Problems, University of Toronto, November 3-4, 1995.)

*Blake, Amy. "Woolf's Mrs. Dalloway." Explicator  56 (1998): 209-10.

Booth, Alison.  "Virginia Woolf and Collective Biographies of Women" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 58-59.  New York: Pace Univ. Press, 1998.

*Boxwell, D.A.  "(Dis)orienting Spectacle: The Politics of Orlando's Sapphic Camp."  Twentieth-Century Literature 44 (1998): 306-27.

Bradshaw, David.  "British Writers and Anti-Fascism in the 1930s, Part II:  Under the Hawk’s Wings."  Woolf Studies Annual 4 (1998): 41-66.

Burns, Christy L.  "Powerful Differences: Critique and Eros in Jeanette Winterson and Virginia Woolf."  Modern Fiction Studies 44 (1998): 364-92.

Butts, Mary.  "Bloomsbury," ed. Camilla Bagg and Nathalie Blondel.  Modernism/Modernity 5, no. 2 (1998): 31-45.  (Posthumous publication.)

Carson, Anne.  "Ordinary Time:  Virginia Woolf and Thucydides on War."  Fence 1, no. 1 (1998): 127-31.

Carubia, Josephine.  "‘The Blessed Island of Good Boots’: Virginia Woolf’s Deployment of Fetishism in To the Lighthouse."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 282-88.  New York: Pace Univ. Press, 1998.

Caughie, Pamela L.  "‘Re-iterating the Differences’: Virginia Woolf and (Postmodern) Theory" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 239-41.  New York: Pace Univ. Press, 1998.

___.  "Woolf and Wittgenstein."  Virginia Woolf Miscellany 52 (Fall 1998): 2-3.

Chapman, Wayne K.  "Collaborative Reviewing by Leonard and Virginia Woolf."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 243-47.  New York: Pace Univ. Press, 1998.

___.  "‘L’s Dame Secretaire’: Alix Strachey, the Hogarth Press and Bloomsbury Pacifism, 1917-1960."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 33-57.  New York: Pace Univ. Press, 1998.

___.  "Virginia Woolf’s Contributions to Anonymous, Composite Reviews in The Nation and Athenaeum, 1924-1928."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 63-69.  New York: Pace Univ. Press, 1998.

Chapman, Wayne K., and Janet M. Manson, eds.  "‘Octavia [Wilberforce]’s Story’ by Virginia Woolf."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 212-38.  New York: Pace Univ. Press, 1998.

Chaudhuri, Nupur.  "Bloomsbury Ancestry: Jane Maria Strachey, Feminism, and Younger Strachey Women."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 58-75.  New York: Pace Univ. Press, 1998.

Clarke, Stuart N.  "Woolf and the Round Reading Room."  Virginia Woolf Miscellany 51 (Spring 1998): 3.

Colburn, Krystyna.  "Virginia Woolf through Common Lesbian Readers’ Eyes" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 8.  New York: Pace Univ. Press, 1998.

Courtington, Chella, Tuzyline Jita Allan, Pushpa N. Parekh, Beth Rigel Daugherty, and Lisa Williams.  "Teaching Woolf in a Multicultural Context."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 49-54.  New York: Pace Univ. Press, 1998.

Cramer, Patricia.  "Virginia Woolf: Lesbian Readings: A Preview" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 3-5.  New York: Pace Univ. Press, 1998.

Cuddy-Keane, Melba.  "Mrs. Dalloway: Film, Time, and Trauma."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 171-75.  New York: Pace Univ. Press, 1998.

___.  "Thinking Historically About Historical Thinking" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 59-60.  New York: Pace Univ. Press, 1998.

Cummins, June.  "What Are They Really Afraid Of?: Repression, Anxiety and Lesbian Subtext in the Cultural Reception of Sally Potter’s Orlando."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 20-25.  New York: Pace Univ. Press, 1998.

Daugherty, Beth Rigel.  "Morley College, Virginia Woolf and Us: How Should One Read Class?"  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 125-38.  New York: Pace Univ. Press, 1998.

___.  "Virginia Woolf's ‘How Should One Read a Book?’"  Woolf Studies Annual 4 (1998): 123-__.  (A transcription, with introduction, of the manuscript version of this essay found in the Berg Collection.)

Davis, Laura, and Jeanette McVicker.  "Notes from the Editors."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, xviii-xx.  New York: Pace Univ. Press, 1998.

DeMeester, Karen.  "Trauma and Recovery in Virginia Woolf's Mrs. Dalloway."  Modern Fiction Studies 44 (1998): 649-73.

Dubino, Jeanne.  "‘The Influence of Something upon Somebody’: Reflections on the Seventh Annual Conference on Virginia Woolf."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, xiii-xvii.  New York: Pace Univ. Press, 1998.

Fabbri, Moreno, ed. Scrittrici del Novecento europeo: Karin  [Kaye] Boyle, Else Lasker-Schuler, Gianna Manzini, Virginia Woolf, Simone Weil, Marina Cvetaeva.  Pistoia: CRT, 1998. (An edition of speeches by these women.)

Farfan, Penny.  "Freshwater Revisited: Virginia Woolf on Ellen Terry and the Art of Acting."  Woolf Studies Annual 4 (1998): 3-17.

Garratt, Lindsay.  "The Image of the Circle in Woolf’s Mrs. Dalloway’s Party."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 303-4.  New York: Pace Univ. Press, 1998.

Gillespie, Diane F.  "‘Human Nature Is on You’: Septimus Smith and the Camera Eye."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 162-67.  New York: Pace Univ. Press, 1998.

___.  "Make Art, Not War: Virginia Woolf’s Between the Arts" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 156-58.  New York: Pace Univ. Press, 1998.

___.  "Marie Stopes: Her War for Peace."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 96-110.  New York: Pace Univ. Press, 1998.

Graff, Agnieszka.  "On Integrity, Legal Trespassers, and Peeling Potatoes: A Room of One’s Own Re-read in Polish."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 202-8.  New York: Pace Univ. Press, 1998.

Greene, Sally.  "Virginia Woolf, 'Poet Historical'" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 61-62.  New York: Pace Univ. Press, 1998.

Grey, Julia.  "Truth Defined by Absence."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 304-5.  New York: Pace Univ. Press, 1998.

Griffiths, Jo.  "‘Who Can Pay for Virginia Woolf?’--Commodifying Bloomsbury."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 215-20.  New York: Pace Univ. Press, 1998.

Gualtieri, Elena.  "The Essay as Form:  Virginia Woolf and the Literary Tradition."  Textual Practice 12 (1998): 49-67.

Hackett, Robin.  "Sapphism and Degeneracy in The Waves."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 44-48.  New York: Pace Univ. Press, 1998.

Haefele, Lisa.  "Violent Conversions, Rhetorical Weapons: Mrs. Dalloway and the Influence of a Nationalist Literary History."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 209-14.  New York: Pace Univ. Press, 1998.

Haller, Evelyn Harris.  "Octavia Wilberforce: A Portrait Unrealized."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 212-38.  New York: Pace Univ. Press, 1998.

___.  "Researching Woolf and the Movable Arts of Dance and Radio-Transmitted Words."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 160-61.  New York: Pace Univ. Press, 1998.

Halpern, Barbara Strachey.  "Ray Strachey--A Memoir."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 76-86.  New York: Pace Univ. Press, 1998.

Hankins, Leslie.  "‘To Kindle and Illuminate’: Woolf’s Hot Flashes against Ageism--Challenges for Cinema."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 26-35.  New York: Pace Univ. Press, 1998.

___. "Virginia Woolf and Low Art? Cultural Studies, Popular Culture and Cinema" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, __-__.  New York: Pace Univ. Press, 1998.

Harper, Howard.  "Mrs. Dalloway, The Film."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 167-71. New York: Pace Univ. Press, 1998.

*Harrington, Gary.  "Woolf's Mrs. Dalloway." Explicator 56 (1998): 144-46.

Herman, David.  "Dialogue in a Discourse Context:  Discourse-Analytic Models and Woolf's To the Lighthouse." Virginia Woolf Miscellany 52 (Fall 1998): 3-4.

*Howard, Douglas L.  "Mrs. Dalloway: Virginia Woolf's Redemptive Cycle."  Literature & Theology: An International Journal of Theory, Criticism, and Culture 12 (1998): 149-58.

Ingman, Heather.  "Virginia Woolf: Retrieving the Mother."  In Women's Fiction between the Wars: Mothers, Daughters and Writing, 125-44.  New York: St. Martin's, 1998.

Ito, Yuko.  "The Production of the South Country in the Bloomsbury Group’s Writings."  In Virginia Woolf and Her Influences:Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 257-61.  New York: Pace Univ. Press, 1998.

Kaivola, Karen.  "Virginia Woolf, Vita Sackville-West, and the Question of Sexual Identity."  Woolf Studies Annual 4 (1998): 18-40.

Keller, Julia.  "Inventing Virginia Woolf: Literary Biography as Art Form."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 11-12.  New York: Pace Univ. Press, 1998.

Kennard, Jean.  "From Foe to Friend:  Virginia Woolf's Changing View of the Male Homosexual."  Woolf Studies Annual 4 (1998): 67-85.

Knowles, Nancy.  "Virginia Woolf's Dome Symbolism: Si monumentum requiris circumspice or Monuments to Patriarchal Infantile Fixation."  Woolf Studies Annual 4 (1998): 86-100.

Koenigsberger, Kurt. "Excavating the Elephant and Castle: Joanna Southcott and the Voice of Prophecy in A Room of One’s Own."   In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 98-104.  New York: Pace Univ. Press, 1998.

Kosugi, Sei.  "Woolf and Psychiatry: In Relation to Miyeko Kamiya and M. Foucault."  Virginia Woolf Review 15 (1998): 1-15.  (In Japanese, with English abstract.)

Krouse, Tonya.  "‘I’d Rather Be a Cyborg than a Goddess’: Lily Briscoe, Mrs. Ramsay, and the Postmodern Sublime."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 294-301.  New York: Pace Univ. Press, 1998.

Kukil, Karen V.  "The Frances Hooper Collection of Virginia Woolf Books and Manuscripts."  Humanities Collections 1 (1998): 7-24.  (On the Woolf-Lytton Strachey correspondence housed at Smith College.)

Kumin, Maxine.  "‘This Curious Silent Unrepresented Life.’"  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 144-46.  New York: Pace Univ. Press, 1998.

Laurence, Patricia.  "A Writing Couple: Shared Ideology in Virginia Woolf’s Three Guineas and Leonard Woolf’s Quack, Quack!"  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 125-43.  New York: Pace Univ. Press, 1998.

Lee, Hermione.  "Responses to a Life of Virginia Woolf."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 13-15.  New York: Pace Univ. Press, 1998.

Levy, Heather.  "‘The Cruel Yet Delicate Foot of a Chinese Murderess’: The Impact of Woolf’s Images of Asia in the Postcolonial Korean Classroom."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 147-52.  New York: Pace Univ. Press, 1998.

Lilienfeld, Jane.  "‘At Lunch a Few Drops of Something’: The Opium Narrative in To the Lighthouse."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 38-43.  New York: Pace Univ. Press, 1998.

Lippincott, Robin.  "Mr. Dalloway: An Excerpt from the Novel."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 178-80.  New York: Pace Univ. Press, 1998.

*Lumsden, Robert.  "Virginia Woolf's 'As If' in To the Lighthouse: The Modernist Philosophy of Meaning in Absentia."  In The Silent Word: Textual Meaning in the Unwritten.  Ed. Robert J.C. Young, Ban Kah Choon, and Robbie B.H. Goh, 119-33.  Singapore: Singapore Univ. Press [World Scientific], 1998.

Manson, Janet M.  "Margery Perham, the Fabians, and Colonial Policy."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 170-90.  New York: Pace Univ. Press, 1998.

___.  "Notes on the Nation and Athenaeum Archival Records."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 248-51.  New York: Pace Univ. Press, 1998.

Mao, Douglas.  "Virginia Woolf."  In Solid Objects: Modernism and the Test of Production, 26-89.  Princeton: Princeton Univ. Press, 1998.  (A discussion of Woolf's story "Solid Objects," among other works, within the context of early twentieth-century aestheticism.)

Marshik, Celia J.  "Virginia Woolf and Intellectual History: The Case of Josephine Butler and Three Guineas."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 91-96. New York: Pace Univ. Press, 1998.

Matsummoto, Hogara.  "Mrs. Manresa and Between the Acts: Woolf's Figurative Use of Race."  Virginia Woolf Review 15 (1998): 31-43.  (In English.)

Medd, Jodie.  "Re-inverting Stephen Gordon: Rhoda Talks Back to Radclyffe Hall."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 117-24.  New York: Pace Univ. Press, 1998.

Meneghel, Meg A.  "‘Dear Mother’: Ray Strachey’s Role in Feminism and the League of Nations as Seen from the Lilly Library."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 87-95.  New York: Pace Univ. Press, 1998.

Merrill, Sarah Bishop.  "Eleanor Balfour Sidgwick and Henry Sidgwick: Collaborators on the Fourth Guinea."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 191-211.  New York: Pace Univ. Press, 1998.

Mino-Pinkney, Makiko.  "Flânerie by Motor-Car?"  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf,  ed. Laura Davis and Jeanette McVicker, 251-56.  New York: Pace Univ. Press, 1998.

___.  "Reading Postmodernism in To the Lighthouse" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 241-42.  New York: Pace Univ. Press, 1998.

Monneyron, Frederic.  Bisexuality et Litterature: Autor de D.H. Lawrence et Virginia Woolf.  Paris: L'Harmattan, 1998.

Moran, Patricia.  "‘The Flaw in the Centre’: Writing as Hymenal Rupture in Virginia Woolf’s Work."  Tulsa Studies in Women’s Literature 17 (1998): 101-21.

Morgan, Geneviève Sanchis.  "Technology: A New Entrée to Woolf and Art" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 158-59.  New York: Pace Univ. Press, 1998.

Morgan, Geneviève Sanchis, and students from Marlborough School.  "Elizabeth Dalloway Talks Back: Students and the Mrs. Dalloway Experience."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf,  ed. Laura Davis and Jeanette McVicker, 234-38.  New York: Pace Univ. Press, 1998.

*Mossuz-Lavau, Janine.  "Dominants et dominees." Magazine Litteraire [Paris].  369 (Oct. 1998): 57-59.

Norton, Ann V.  "‘Here Was One Room, There Another’: Teaching Woolf in New Hampshire."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf,  ed. Laura Davis and Jeanette McVicker, 139-44.  New York: Pace Univ. Press, 1998.

Oldfield, Sybil.  "Margaret Llewelyn Davies and Leonard Woolf."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 2-32.  New York: Pace Univ. Press, 1998.

Oxendine, Annette.  "Unveiling the Jessamy Brides" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 2-3.  New York: Pace Univ. Press, 1998.

Palladino, Jennifer.  "Contemplation of a Woman Writer: Virginia Woolf Explores Anne Finch, Countess of Winchilsea." Virginia Woolf Miscellany 51 (Spring 1998):  4.

Parras, John.  "The Dangerous Gift of Poetry: Woolf's Critique of the Lyric."  Virginia Woolf Miscellany 51 (Spring 1998):  5-6.

Pelton, Stephen.  "Dancing The Death of the Moth."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 36-37.  New York: Pace Univ. Press, 1998.

Podnieks, Elizabeth.  "Folk Revival/Folks Revived: Rites of Passage, ‘Virginia Woolf,’ and the Indigo Girls."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 181-86.  New York: Pace Univ. Press, 1998.

Pridmore-Brown, Michele.  "1939-40:  Of Virginia Woolf, Gramophones, and Fascism."  PMLA 113 (1998): 408-21.

*Pyckett, Lyn.  "A New Way with Words? Jeanette Winterson's Postmodernism."  In "I'm Telling You Stories": Jeanette Winterson and the Politics of Reading.  Ed. Helena Grice, 53-60.  Amsterdam: Rodopi, 1998.

Ramsey, Tamara Ann.  "Producing Queer Affiliations: Feminist, Lesbian, Aesthetic and Queer Reading Practices."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 275-81.  New York: Pace Univ. Press, 1998.

Raschke, Debrah.  "To the Lighthouse ‘Through the Looking Glass’: Woolf’s and Irigaray’s Metaphysics."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 288-93.  New York: Pace Univ. Press, 1998.

Reid, Panthea.  "Archives and Art and Affection: A Life of Virginia Woolf."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 78-84.  New York: Pace Univ. Press, 1998.

___.  "On My Redating: An Answer to Joanne Trautmann Banks."  Virginia Woolf Miscellany 51 (Spring 1998): 3-4.

*___.  "Stephens, Fishers, and the Court of the 'Sultan of Zanzibar': New Evidence from Virginia Stephen Woolf's Childhood." Biography: An Interdisciplinary Quarterly 21 (1998): 328-40.

Robertson, Jenna.  "Cam, A Mother’s Daughter."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 306-8.  New York: Pace Univ. Press, 1998.

Rogalus, Paul.  "Dancing with Woolf: The Genesis of a Dance Concert."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 176-78.  New York: Pace Univ. Press, 1998.

*Rosenbaum, S.P.  "Leonard and Virginia Woolf at the Hogarth Press."  In More Adventures with Britannia: Personalities, Politics and Culture in Britain.  Ed. William Roger Louis, 115-32.  Austin: Univ. of Texas Press, 1998.

Rudikoff, Sonya.  "The Known and the Unknown in a Late Victorian Friendship: Virginia Woolf and the Vaughans." Woolf Studies Annual 4 (1998): 101-22.

Rusk, Lauren.  "The Collective Self: Maxine Hong Kingston and Virginia Woolf."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 181-86.  New York: Pace Univ. Press, 1998.

Sagalovitsch, Laurent.  La Canne de Virginia: Roman.  Arles: Actes Sud, 1998.

Schaub, Joseph Christopher.  "Waves of Pure Lemon: Afterthoughts."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 18-19.  New York: Pace Univ. Press, 1998.

Scott, Bonnie Kime.  "Phases of Fiction and Theory."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 242-43.  New York: Pace Univ. Press, 1998.

Searls, Damion.  "‘Against Such Moments, Baron Marbot’: Reading ‘Being’ and ‘Non-Being’ in Mrs. Dalloway and Traditional Memoirs."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 262-68.  New York: Pace Univ. Press, 1998.

Shaw, Marion.  "Winfred Holtby and the Peace Movement between the Wars."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 111-24.  New York: Pace Univ. Press, 1998.

Silver, Brenda.  "Retro-anger and Baby-Boomer Nostalgia: A Polemical Talk."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 221-33.  New York: Pace Univ. Press, 1998.

Staveley, Alice.  "Name That Face."  Virginia Woolf Miscellany 51 (Spring 1998): 4-5.

*Stec, Loretta.  "Gandhian Non-Violence in Works of Ethel Mannin and Virginia Woolf."  In Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996.  Ed. Winnifred W. Bogaards, 1:163-80.  Saint John, New Brunswick, Canada : Social Sciences and Humanities Research Council of Canada, Univ. of New Brunswick in Saint John, 1998.

Swanson, Diana L.  "Woolf’s Lesbian Epistemology" (abstract of panel talk).  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 9-10.  New York: Pace Univ. Press, 1998.

Taketani, Kikuo.  "On a Bibliography of Virginia Woolf Studies in Japan."  Virginia Woolf Review 15 (1998): 83-__.

Talib, Aisha.  "Sargent and Woolf: Two Portraitists."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 308-9.  New York: Pace Univ. Press, 1998.

Thompson, Hilary.  "Virginia Woolf and Michele Montrelay's Unconscious Signifier."  Virginia Woolf Miscellany 52 (Fall 1998): 5-6.

Toby, Michelle Bollard.  "From Bridal Bier to Death Bed: Woolf’s Rejection of the Beautiful Death."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 105-11.  New York: Pace Univ. Press, 1998.

Vernon, Betty.  "Beatrice Webb and Margaret Cole: Fabian Politics and Pacifism."  In Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson, 144-69.  New York: Pace Univ. Press, 1998.

Villeneuve, Pierre-Éric.  "Epistolary Narrative and the Addressee as Influence: Christmas Day 1922."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 269-74.  New York: Pace Univ. Press, 1998..

___. "Voir, dire et faire: Ethique de l’acte créateur dans To the Lighthouse de Virginia Woolf."  Protee: Theories et pratiques semiotiques 26, no. 2 (1998): __-__.

Ward Jouve, Nicole.  "Virginia Woolf: Penis Envy and the Man's Sentence." in Female Genesis: Creativity, Self, and Gender, 119-37.  New York: St. Martin's, 1998.

Yaguchi, Akemi.  "The Artist as Vampire in Orlando." Virginia Woolf Review 15 (1998): 16-31.  (In Japanese with English abstract.)

Zimring, Rishona.  "Gissing, Woolf and the Drama of Home."  In Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, ed. Laura Davis and Jeanette McVicker, 85-90.  New York: Pace Univ. Press, 1998.

Dissertations

Blaney, Ellen.  "Sisters: Rewriting Feminism in Virginia Woolf."  Ph.D. diss.,  New York Univ., 1998.

Carey, Catherine Gabriel.  "The Body of Knowledge: The Object of Learning: Epistemophilia and the Desire for Self."  Ph.D. diss., Univ. of Mass. at Amherst, 1998.

Dresbeck, Rachel Anne.  "Varieties of Aesthetic Experience in the Writing of Virginia Woolf."  Ph.D. diss., Univ. of Oregon, 1998.

Lucenti, Lisa Marie.  "Telling Subjects: Narrative and Subjectivity in the Fiction of Virginia Woolf, Isak Dinesen, and Willa Cather." Ph.D. diss., State Univ. of New York at Buffalo, 1998.

*Mason, Amanda Victoria.  "Intimacy Politics and Virginia Woolf."  Ph.D. diss., Univ. of Pennsylvania, 1998.

Moreland, Deborah Anne.  "Contexts and  Connections: Virginia Woolf, Wyndham Lewis, and Low Culture."  Ph.D. diss., Univ. of Texas at Dallas, 1998.

Nerheim, Susan Marie.  "Patriarchy as Fascism in Five Novels of Virginia Woolf."  Ph.D. diss., Columbia Univ., 1998.

Pavlish, Catherine Ann.  "The Uncertainty Principle and Certain Uncertain Writers:  Melville, Dickens, Woolf, Atwood, and Others."  Ph.D. diss., Univ. of North Dakota, 1998.

*Recht, Sydney Gail.  "Virginia Woolf and Zora Neale Hurston: Female Voice and the Dynamics of Female Communal Expression."  Ph.D. diss., Fordham Univ., 1999.

*Richards, Diane Lee.  "Crossing Boundaries: Genre, Voice and Marginality in the Monologues of Robert Browning, William Faulkner and Virginia Woolf."  Ph.D. diss., Univ. of Oregon, 1998.  (Deals with The Second Common Reader, The Years, and Between the Acts.)

*Schellinger, Sharon Jones.  "The Three Faces of Imagination."  Ph.D. diss., Univ. of Dallas, 1998.  (Considers To the Lighthouse along with Coleridge's Biographia Literaria and Blake's Auguries of Innocence.)

*Thompson, Hilary Joan. "Fragments of the Archaic: Modernist Short Fiction and Structuralist Alterity."  Ph.D. diss., Univ. of Michigan, 1998.

*Tipper, William C.  "'Without Descent': Evolutionary Discourse and Satirical Modernism in Samuel Butler, Lytton Strachey, and Virginia Woolf."  Ph.D. diss., New York Univ., 1998.

*Young, John Kevin.  "Publishing Women: Modernism, Gender, and Authorship."  Ph.d. diss., Northwestern Univ., 1998.

Master's theses

*Campoy-Cubillo, Adolfo.  "The Personal and the Professional:  A Comparative Study of Virginia Woolf and Emily Dickinson."  M.A. thesis, Wayne State Univ., 1998.

Fulwiler, Megan.  "Outskirts: The Feminine on the Narrative Fringe."  M.A. thesis, Univ. of Vermont.  (Considers, Woolf, Faulkner, Morrison.)

Havel, Elizabeth C.  "Virginia Woolf: Gender, War, and Art." M.A. thesis, San Francisco State Univ., 1998.

Hoitsma, Jean.  "Creativity and Manic-Depression in the Lives and Works of Plath, Woolf, and Van Gogh."  M. of Liberal Studies thesis, Rollins College, 1998.

Kelly, Sarah Elizabeth.  "The Evolution of Androgyny in Virginia Woolf and Adrienne Rich."  M.A. thesis, Villanova Univ., 1998.

Munson, Pamela.  "Immortality and Virginia Woolf: A Vedic Analysis of Mrs. Dalloway." M.A. thesis, Univ. of West Florida, 1998.

Schrynemakers, Ilse.  "Defining Time in the Works of Virginia Woolf, James Joyce, and W.B. Yeats."  M.A. thesis, St. John's Univ., 1998.

Streufert, Mary J.  "Measures of Reality: The Religious Life of Virginia Woolf."  M.A.I.S. thesis, Oregon State Univ., 1998.

Tatu, J. Christina.  "Multiple Gazes in the Novels of Virginia Woolf."  M.A. thesis, Millersville Univ. of Pa., 1998.

Undergraduate theses

Kong, Belinda Wai Chu.  "The Self and the Other: A Philosophical Exploration of Being in Virginia Woolf's The Waves."  Honors thesis, College of William and Mary, 1998.

Maines, Joshua W.  "Gendered Minds, Gendered Texts: Rendering of Women's Consciousness in Virginia Woolf."  Honors thesis, Bucknell Univ., 1998.

Orth, Jennifer Aileen.  "Modernity, Feminity, and the Spaces of Representation: A Study of Text, Virginia Woolf's To the Lighthouse, and the Paintings of Mary Cassatt." B.A. thesis, James Madison Univ., 1998.

Rosell, Robert Mervin.  "London Transformed: Early Twentieth Century London in Works by Conrad, Forster, and Woolf."  Honors thesis, College of William and Mary, 1998.  (Considers Mrs. Dalloway.)

Schafer, Sommer.  "Virginia Woolf's Symbolic Use of Leaves and Trees in a Quest for Truth."  Senior thesis, Westminster College, 1998.

Schetzina, Cathy Anne.  "Towards Something Unbroken: Virginia Woolf and Physics." Honors thesis, Univ. of North Carolina at Chapel Hill, 1998.

Wardlow, Paul Deacon.  "Reading Orlando: A Study of Meaning within Virginia Woolf's Orlando."  Division III examination in the School of Humanities and Arts, Hampshire College, 1998.

Reviews

Berman, Jessica.  Review of Modernism and Mass Politics: Joyce, Woolf, Eliot, Yeats, by Michael Tratner. Woolf Studies Annual 4 (1998): 234-36.

*Blodgett, Harriet.  Review of Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  Virginia Woolf Miscellany 52 (Fall 1998): 8.

Connolly, Margaret.  Review of three critical editions of Night and Day (Shakespeare Head/Blackwell, 1994 [ed. J. H. Stape]; Oxford Univ. Press, 1992 [ed. Suzanne Raitt]; and Penguin, 1992 [ed. Julia Briggs]).  Virginia Woolf Miscellany 51 (Spring 1998): 8-9.

Curb, R.  Review of Eudora Welty and Virginia Woolf: Gender, Genre, and Influence, by Suzan Harrison.  Southern Humanities Review 32 (1998): 411-14.

Endo, Huhito.  Review of Thinking Fascism: Sapphic Modernism and Fascist Modernity, by Erin G. Carlston. Virginia Woolf Review 15 (1998): 71-73.  (In Japanese.)

Fernald, Anne E.  Review of Womanist and Feminist Aesthetics: A Comparative Review, by Tuzyline Jita Allan. Woolf Studies Annual 4 (1998): 220-24.

Fox, Susan Hudson.  Review of Eudora Welty and Virginia Woolf:  Gender, Genre, and Influence, by Suzan Harrison. Woolf Studies Annual 4 (1998): 214-16.

Fukushima, Hiroko.  Review of ABibliography of Virginia Woolf, 4th ed., ed. B. J. Kirkpatrick and S. N. Clarke. Virginia Woolf Review 15 (1998): 78-82.  (In Japanese; note typo on back cover, "Hukushima.")

Garrity, Jane.  "Outing Virginia Woolf."  Review of Virginia Woolf: Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  Lesbian and Gay Studies Newsletter 23, no. 1-2 (1998): 53-55.

Haefele, Lisa.  Review of Virginia Woolf and Mrs. Brown:  Toward a Realism of Uncertainty, by Herta Newman and Recasting Social Values in the Work of Virginia Woolf, by Judy S. Reese.  Woolf Studies Annual 4 (1998): 205-7.

Hussey, Mark.  Review of On or about December 1910: Early Bloomsbury and Its Intimate World, by Peter Stansky. Virginia Woolf Miscellany 51 (Spring 1998): 7-8.

___.  Review of Virginia Woolf, by Hermione Lee and Bloomsbury Pie:  The Making of the Bloomsbury Boom, by Regina Marler.  Woolf Studies Annual 4 (1998): 195-204.

Johnston, Ruth.  Review of Ambiguous Discourse:  Feminist Narratology and British Women Writers, ed. Kathy Mezei. Woolf Studies Annual 4 (1998): 208-13.

Levenback, Karen.  Review of Postcards from the Trenches:  Negotiating the Space between Modernism and the First World War, by Allyson Booth.  Woolf Studies Annual 4 (1998): 229-33.

Lilienfeld, Jane.  Review of The Selected Letters of Leslie Stephen, Volume I 1864-1882 and Volume II 1882-1904, ed. John Bicknell.  Woolf Studies Annual 4 (1998): 237-40.

Lounsberry, Barbara.  Review of Granite and Rainbow: The Hidden Life of Virginia Woolf, by Mitchell Leaska. Virginia Woolf Miscellany 52 (Fall 1998): 6-7.

Low, Lisa.  Review of Word of Mouth:  Body Language in Katherine Mansfield and Virginia Woolf, by Patricia Moran.  Woolf Studies Annual 4 (1998): 246-49.

Matsubara, Tomoko.  Review of Reading Virginia Woolf's Essays and Journalism, by Leila Brosnan.  Virginia Woolf Review 15 (1998): 59-63.  (In Japanese.)

Neverow, Vara.  Review of Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  Virginia Woolf Miscellany 51 (Spring 1998): 6-7.

Ota, Nobuyoshi.  Review of "The Stracheys and Psychoanalysis," by Barbara Cain (History Workshop Journal 45 [1998]). Virginia Woolf Review 15 (1998): 74-77.  (In Japanese.)

Rubenstein, Roberta.  Review of Art and Affection:  A Life of Virginia Woolf, by Panthea Reid.  Woolf Studies Annual 4 (1998): 241-45.

Ruotolo, Lucio.  Review of "Who Lived at Alfoxton?" : Virginia Woolf and English Romanticism, by Ellen Tremper. Virginia Woolf Miscellany 52 (Fall 1998): 7-8.

Snaith, Anna.  "Virginia Woolf: Not So Common Destinations."  Women: A Cultural Review 9, no. 1 (1998): 115-21.  (A review-essay of Rachel Bowlby, Feminist Destinations and Further Essays on Virginia Woolf [1997] and Gillian Beer, Virginia Woolf: The Common Ground [1996].)

Tremper, Ellen.  Review of On or about December 1910: Early Bloomsbury and Its Intimate World, by Peter Stansky. Woolf Studies Annual 4 (1998): 225-28.

Ukai, Nobumitsu.  Review of "Who Lived at Alfoxton?": Virginia Woolf and English Romanticism, by Ellen Tremper. Virginia Woolf Review 15 (1998): 68-70.

Webb, Caroline.  Review of Authorial Divinity in the Twentieth Century:  Omniscient Narration in Woolf, Hemingway, and Others, by Barbara K. Olson.  Woolf Studies Annual 4 (1998): 217-19.

Yukki, Yoshiko.  Review of Virginia Woolf: Feminism, Creativity, and the Unconscious, by John R. Maze.  Virginia Woolf Review 15 (1998): 64-67.  (In Japanese.)

New publications of texts by Virginia Woolf

Orlando: A Biography. Ed. J.H. Stape.  London: Blackwell [Shakespeare Head], 1998.

"Solid Objects."  In The Oxford Book of English Short Stories, ed. A.S. Byatt, 204-09.  New York: Oxford, 1998.

*Three Guineas [excerpt].  In History in Our Hands: A Critical Anthology of Writings on Literature, Culture, and Politics from the 1930s,ed. Patrick Deane, 264-71.  London: Leicester Univ. Press, 1998.

*"Women and Fiction."  In The Feminist Critique of Language: A Reader, 2nd ed., ed. Deborah Cameron, 47-53.  New York: Routledge, 1998.

*"Woolf on Margaret Cavendish" [excerpt from "The Duchess of Newcastle," from The Common Reader] and "Virginia Woolf on Judith Shakespeare" [excerpt from A Room of One's Own].  In Readings in Renaissance Women's Drama: Criticism, History, and Performance 1594-1998, ed. S.P. Cerasano and Marion Wynne-Davies, 21, 23-24.  New York: Routledge, 1998.  (See headnote above.)

The Years. Ed. Jeri Johnson.  London: Penguin, 1998.
 

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(Last updated 10/14/99.)