The following is a compilation of scholarship on Virginia Woolf published in 1997.  It is produced and maintained for The International Virginia Woolf Society, with the cooperation of MetaLab at the University of North Carolina-Chapel Hill.  My sources include various electronic databases plus information provided by friends of Woolf everywhere.  I make no claims to be exhaustive, but I do try to be comprehensive.  (Apologies for the lack of consistency in accent marks; the whimsies of electronic reproduction are to blame.)  If you have items to add, or corrections to offer, please send them to me, sally@metalab.unc.edu.  Or mail them to me at 406 Morgan Creek Drive, Chapel Hill, North Carolina, USA, 27514.

                                                                                    --Sally Greene, bibliographer/historian, International Virginia Woolf Society

Bibliographies from 1996, 1998, and 1999 are also available.  And check out the "passing glances" to Woolf as well.

Special issues or volumes

Woolf Studies Annual, vol. 3, edited by Mark Hussey for Pace University Press.  Individual essays are indexed below.

Virginia Woolf Miscellany, nos. 49 and 50 (Spring and Fall 1997).  Peter Stansky, editor of the Spring issue, dedicated it to the memory of Quentin Bell, who died, at age 86, in December 1996.  "Woolf and Allusions" is the theme of the Fall issue, edited by Jeanne Dubino.  Individual essays are indexed below.

Virginia Woolf and the Arts: Selected Papers from the Sixth Annual Conference on Virginia Woolf.  Edited by Diane F. Gillespie and Leslie K. Hankins for Pace University Press.  Individual chapters are indexed below.

The Virginia Woolf Review, no. 14, published by the Virginia Woolf Society of Japan, is indexed below.

Updated bibliography of Virginia Woolf's work

The invaluable Woolf bibliography published in three editions by B. J. Kirkpatrick is now available in a fourth edition coauthored by Kirkpatrick and Stuart N. Clarke.  A Bibliography of Virginia Woolf, 4th edition (Clarendon), is available in the U. K. and should soon be available in the U. S.

Other books of special note

Virginia Woolf:  Lesbian Readings, edited by Eileen Barrett and Patricia Cramer (New York Univ. Press), is the first book devoted to Woolf as "one of the century's best-known lesbians."  Emerging out of years of presentations and conversations at the annual Virginia Woolf Conferences and elsewhere, the collection "develops a range of reading practices that shows how Woolf's private and public experience and knowledge of same-sex love influence her writings," as Barrett writes.  The thirteen personal and critical essays reflect the ways in which, in Cramer's words, "Virginia Woolf's life and work reflect that continual negotiation between truth and secrecy characteristic of gay life."  Individual chapters are indexed below.

Virginia Woolf and the Essay, edited by Beth Carole Rosenberg and Jeanne Dubino (St. Martin's), includes fourteen new essays addressing Woolf's brilliant, public, prolific, but historically underappreciated career as an essayist.  "Woolf used the essay not only to put forth a theory of the novel or comment on literary history but to comment on experience itself through writing that addresses social, biographical, and historical matters," the introduction tells us.  Individual chapters are indexed below.

Barbara Green's Spectacular Confessions: Autobiography, Performative Activism, and the Sites of Suffrage 1905-1938 (St. Martin's), devotes one chapter to Woolf.  In Ch. 4, "Virginia Woolf, Fascism, and Revisions of Spectacle," she analyzes the "private archive" documenting radical feminist activity that Woolf kept in conjunction with writing Three Guineas within the broad context of the suffrage movement.

Unmanning Modernism: Gendered Re-Readings, edited by Elizabeth Jane Harrison and Shirley Peterson (Univ. of Tennessee Press), "joins a growing chorus emerging since the 1970s that invites readers to reevaluate the gender politics informing literary modernism," according to the introduction.  Four chapters, indexed below, engage with Woolf directly; others are of related interest.

Charleston: A Bloomsbury House and Garden (Henry Holt), a stunningly beautiful and comprehensive book with photographs by Alen MacWeeney of Bloomsbury Reflections fame, is Quentin Bell's last publication.  He did not live to finish it; it was completed by his collaborator and daughter, Virginia Nicholson.

As part of BasicBooks' MasterMinds series, Howard Gardner focuses on Woolf in Extraordinary Minds:  Portraits of Exceptional Individuals and an Examination of Our Extraordinariness.  Together with Mozart, Freud, and Gandhi, Woolf illustrates one of the four types of "extraordinary minds" that Gardner has identified in his efforts "toward a science of extraordinariness."  In Gardner's analysis, Mozart exemplifies the "master," Freud the "maker," Gandhi the "influencer," and Woolf the "introspector."  Although his scientific approach may be off-putting to humanists, Gardner does at least acknowledge that the boundaries he has set up are permeable.  And in anticipation of the criticism that he is setting up a kind of "hero worship," he writes, "Indeed, an excess regard of heroes inevitably leads to the disillusion that plagues the former idealist.  But in the absence of such exemplars--however partial, however flawed--we cannot even begin to think about more human forms of creativity, leadership, and spirituality."

Bloomsbury Pie:  The Making of the Bloomsbury Boom, by Regina Marler (Virago and Henry Holt), is a controversial new history of the Bloomsbury movement calculated (judging by its informal tone and documentation) to appeal to the common reader.  Writing in The Guardian, Lindsay Duguid calls it "shrewd and stimulating"; Humphrey Carpenter in the Sunday Times calls it a "witty account of an inevitable but, on the whole, deplorable literary industry."  Review it for yourself.

Woolf's story "The Widow and the Parrot" is included in Murder and Other Acts of Literature: Twenty-Four Unforgettable and Chilling Stories by Some of the World's Best-Loved, Most Celebrated Writers, ed. Michele Slung (St. Martin's).  The story "provides a quaint village episode more reminiscent of Miss Marple than Mrs. Dalloway," says the foreword.

The Bloomsbury Heritage Series, edited by Jean Moorcroft Wilson for Cecil Woolf Publishers, published five monographs in 1997:

Virginia Woolf has been discovered by the Dover "dollar" series.  Dover Thrift Editions in 1997 published Woolf's Monday or Tuesday:  Eight Stories, republishing the Harcourt edition of 1921.  Priced at $1, this edition is suitable for classroom use.  (The cover, by Teresa Delgado, is a nice tribute to Vanessa Bell's work.)

Multimedia

A British film version of Mrs. Dalloway had its unofficial American premiere at the Seventh Annual Virginia Woolf Conference in June 1997.  Directed by Marleen Gorris, produced by Lisa Katselas Pare and Stephen Bayly, with a screenplay by Eileen Atkins, the film stars Vanessa Redgrave, Natascha McElhone, Rupert Graves, and Michael Kitchen.  After an official premiere at the Toronto Film Festival in September, the film was generally released in February 1998.  Harcourt Brace has brought out a new paperback of the novel as a movie tie-in.

Also at the Seventh Annual Virginia Woolf Conference, Stephen Pelton of the Stephen Pelton Dance Theater performed his own version of Woolf's "The Death of the Moth."

The Waves was adapted for the stage and performed in April 1997 at the Tristan Bates Theatre in London.  Abigail Docherty, who rendered the adaptation, was the sole performer; the director was Abigail Anderson and sound design was by Martin Bygraves.  Sponsored by Crowd Proud Productions.

The New Theatre in Charlestown, Massachusetts, presented Edna O'Brien's "Virginia" June 5-8, 1997.  Directed by Tom Burke-Kaiser, graduating New Theatre Conservatory directing student; with Helen McElwain, Jeffrey Nones, and Allison Glenzer..

Dominick Argento's "From the Diary of Virginia Woolf" was issued in April 1997 on a new CD from d'Note of Sausalito, California.  This never-before-released recording of the premiere performance of this 1975 Pulitzer Prize-winning composition features Dame Janet Baker, soprano, and Martin Isepp, piano.  (The work was composed for Baker's voice.)  The disc also includes songs by Hugo Wolf, Gabriel Fauré, Henry Duparc, and Claude Débussy.  For more information, call (800) 995-2657.

The Ashley Adams Trio has produced a CD called Flowers for Mrs. Dalloway.  Phillip Greenlief plays winds and marimba, with Ashley Adams on double bass and Michael Dumonceau on drums.  Published by Evander Music, 3248 Folsom Street #2, San Francisco, California USA 94110; phone (415) 826-4797.

Book not out yet

Volume 4 of Andrew McNeillie's Essays of Virginia Woolf (1925-28), part of a fully annotated edition projected to consist of six volumes, was published in 1994 by Hogarth Press of London.  But in 1999, American readers still await its publication by Harcourt Brace.

Books

Anderson, Gwen.  Ethel Smyth:  The Burning Rose: A Brief Biography.  London: Cecil Woolf [Bloomsbury Heritage], 1997.

Anderson, Linda R.  Women and Autobiography in the Twentieth Century:  Remembered Futures.  London & New York: Prentice Hall/Harvester Wheatsheaf, 1997.

Barrett, Eileen, and Patricia Cramer, eds.  Virginia Woolf:  Lesbian Readings.  The Cutting Edge--Lesbian Life and Literature Series.  New York:  New York Univ. Press, 1997.

Beer, Gillian.  Virginia Woolf:  The Common Ground.  Ann Arbor:  Univ. of Michigan Press, 1997.  (Paperback; hardback 1996).

Bell, Clive.  Roger Fry: Anecdotes, for the Use of a Future Biographer, Illustrating Certain Peculiarities of the Late Roger Fry.  Ed. Diane F. Gillespie.  London: Cecil Woolf [Bloomsbury Heritage], 1997.

Bell, Quentin, and Virginia Nicholson.  Charleston: A Bloomsbury House and Garden.  Photos by Alen MacWeeney.  New York: Henry Holt, 1997.

Bowlby, Rachel.  Feminist Destinations and Further Essays on Virginia Woolf.  New York:  Columbia Univ. Press, 1997.  (Paperback; the original Feminist Destinations was published by Basil Blackwell in 1988.)

Brosnan, Leila.  Reading Virginia Woolf's Essays and Journalism:  Breaking the Surface of Silence.  Edinburgh:  Edinburgh Univ. Press, 1997.

Bruyn, Sabine.  Virginia Woolf: Een bibliografie van tijdschriftartikelen, 1991-1995.  Amsterdam: Hogeschool van Amsterdam, Faculteit Economie en Informatie, 1997.  (An annotated bibliography of Woolf criticism published in Dutch and English-language journals for the period indicated.  Only articles available in Dutch libraries are listed [137 references total].  An index of names and titles is included.  Abstracts, profile of Woolf, etc. are in Dutch.  Commissioned by the University of Amsterdam [catalogue accessible at http://www.pica.nl/].)

Chapman, Wayne, and Janet Manson, eds.  Leonard and Virginia Woolf Working Together and the Hitherto Unpublished Manuscript "In'l Re'ns." London: Cecil Woolf [Bloomsbury Heritage], 1997.

Cheng, Yuan-Jung.  Heralds of the Postmodern:  Madness and Fiction in Conrad, Woolf, and Lessing.  New York:  Peter Lang, 1997.

Dusinberre, Juliet.  Virginia Woolf's Renaissance: Woman Reader or Common Reader?  Iowa City:  Univ. of Iowa Press, 1997.

Gardner, Howard.  Extraordinary Minds:  Portraits of Exceptional Individuals and an Examination of Our Extraordinariness.  New York:  BasicBooks, 1997.

Gillespie, Diane F., and Leslie K. Hankins, eds.  Virginia Woolf and the Arts: Selected Papers from the Sixth Annual Conference on Virginia Woolf.  New York: Pace Univ. Press, 1997.

Gimenez Bartlett, Alicia.  Una habitacion ajena.  Barcelona:  Lumen, 1997.

Green, Barbara.  Spectacular Confessions: Autobiography, Performative Activism, and the Sites of Suffrage, 1905-1938.  New York: St. Martin's, 1997.  (See headnote above.)

Harrison, Elizabeth Jane, and Shirley Peterson, eds.  Unmanning Modernism: Gendered Re-Readings.  Knoxville: Univ. of Tennessee Press, 1997.

Harrison, Suzan.  Eudora Welty and Virginia Woolf:  Gender, Genre, and Influence.  Baton Rouge:  Louisiana State Univ. Press, 1997.

Holmesland, Oddvar.  Form as Compensation for Life:  Fictive Patterns in Virginia Woolf's Novels.  Columbia, S.C.:  Camden House, 1997.

Hughes, John.  Lines of Flight:  Reading Deleuze with Hardy, Gissing, Conrad, Woolf.  Sheffield, U.K.:  Sheffield Academic Press, 1997.

Kirkpatrick, B. J., and Stuart N. Clarke.  A Bibliography of Virginia Woolf.  4th ed.  Oxford:  Clarendon Press, 1997.

Kitsi-Mitakou, Katerina K.  Feminist Readings of the Body in Virginia Woolf's Novels.  Thessaloniki: Aristotle University of Thessaloniki, 1999.

Lee, Hermione.  Virginia Woolf.  London: Chatto & Windus, 1996; New York: Knopf, 1997.

Marcus, Laura.  Virginia Woolf.  Plymouth, U.K.:  Northcote House, 1997.  ("Writers and Their Work" series, in association with the British Council.)

Marler, Regina.  Bloomsbury Pie:  The Making of the Bloomsbury Boom.  London: Virago; New York:  Henry Holt, 1997.

Maze, J. R.  Virginia Woolf:  Feminism, Creativity, and the Unconscious.  Contributions to the Study of World Literature, no. 84.  Westport, Conn.: Greenwood, 1997.

Miletic-Vejzovic, Laila.  A Library of One's Own:  The Library of Leonard and Virginia Woolf.  London: Cecil Woolf [Bloomsbury Heritage], 1997.

Nalbantian, Suzanne.  Aesthetic Autobiography:  From Life to Art in Marcel Proust, James Joyce, Virginia Woolf and Anaïs Nin. New York:  St. Martin's, 1997.

Nikolchina, Miglena.  Meaning and Matricide: Reading Woolf via Kristeva.  Sofia, Bulg.: Sofia University Press, 1997.

Olson, Barbara K.  Authorial Divinity in the Twentieth Century: Omniscient Narration in Woolf, Hemingway, and Others. Lewisburg, Pa.: Bucknell Univ. Press, 1997.

Rosenberg, Beth Carole, and Jeanne Dubino, eds.  Virginia Woolf and the Essay.  New York: St. Martin's, 1997.

Smith, Patricia Juliana.  Lesbian Panic:  Homoeroticism in Modern British Women's Fiction.  New York:  Columbia Univ. Press, 1997.

Stansky, Peter.  William Morris and Bloomsbury.  London: Cecil Woolf [Bloomsbury Heritage], 1997.

Winterson, Jeanette.  Art Objects:  Essays on Ecstasy and Effrontery.  New York:  Vintage, 1997.  (Paperback; hardback 1995.)  (Ten interlocking essays that are deeply engaged with Woolf's work, especially Orlando and The Waves.  Leave it to Winterson to write a book that is difficult to classify; it could also pass as a "passing glance."  If you would like to contribute your comments in that forum, please do.)

Journal articles, book chapters, and notes

Allan, Tuzyline Jita.  "The Death of Sex and the Soul in Mrs. Dalloway and Nella Larsen's Passing."  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York:  New York Univ. Press, 1997.  95-113.

d'Aquila, Ulysses.  "Lawrence, Sex, and Bloomsbury."  Virginia Woolf Miscellany 49 (Spring 1997): 6-7.

Atkins, Eileen.  "Playing Virginia."  Charleston Magazine, Autumn/Winter 1997, 13-18.

Banks, Joanne Trautmann.  "Reid's Redating."  Virginia Woolf Miscellany 50 (Fall 1997): 7-8.  (A response, by the coeditor of Woolf's published letters, to the revised dating of Woolf's suicide letters proposed by Reid and reviewed by Edward Hungerford in the same issue of the Miscellany.)

Barber, Stephen.  "Lip-Reading: Woolf's Secret Encounters."  In Novel Gazing: Queer Readings in Fiction, ed. Eve Kosofsky Sedgwick.  Durham, N.C.: Duke Univ. Press, 1997.  401-43.

Barrett, Eileen, and Patricia Cramer.  Introduction to Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York:  New York Univ. Press, 1997.  3-9.

___.  "Unmasking Lesbian Passion: The Inverted World of Mrs. Dalloway."  In Virginia Woolf:  Lesbian Readings, ed.  Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  146-64.

Bellamy, Suzanne.  "The Pattern behind the Words."  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  21-36.

Bennett, Alma.  "Introductory Remarks for 'A Little Night Music and Drama.'"  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  99-105.  (Introducing the conference performances of Dame Ethel Smyth's Mass in D [Linda Karen Smith, mezzo-soprano; Alma Bennett, piano]; Smyth's "March of the Women" [directed by Smith, performed by everyone]; and Dominick Argento's "From the Diary of Virginia Woolf" [Noelle Woods, mezzo-soprano; Barbara Brenton Sahr, piano].)

Blackmer, Corrine E.  "Lesbian Modernism in the Shorter Fiction of Virginia Woolf and Gertrude Stein."  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  78-94.

Blodgett, Harriett.  "Food for Thought in Virginia Woolf's Novels." Woolf Studies Annual 3 (1997): 46-60.

Bowlby, Rachel.  "The Work of Women's Studies."  Surfaces 7, no. 104 (1997).  (This is an on-line journal published at the University of Montréal, at http://pum12.pum.umontreal.ca/revues/surfaces/vol7/bowlby.html.  Bowlby offers "thinking back through Woolf" as "a way of trying to think forwards in the futures of feminism and women's studies" in this essay, which evolved from a conference on feminism held in Spring 1995 at Indiana University.  See also Feminism beside Itself, ed. Diane Elam and Robyn Wiegman [Routledge, 1995].)

Bradshaw, David.  "British Writers and Anti-Fascism in the 1930s, Part I: The Bray and Drone of Tortured Voices."  Woolf Studies Annual 3 (1997): 3-27.

___.  "Vicious Circles: Hegel, Bosanquet and The Voyage Out."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  183-91.

Brosnan, Leila.  "'Words Fail Me': Virginia Woolf and the Wireless."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  134-41.

Caramagno, Thomas C.  "The Lure of Reductionism in Psychological Treatments of Woolf's Life."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  320-26.

Carubia, Josephine M.  "'The Higgledy-Piggledy' Puzzle: A Fractal Analysis of the Patterns of Patterns in Virginia Woolf's Fiction."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  260-68.

Caws, Mary Ann.  "Mallarmé and Woolf."  Virginia Woolf Miscellany 49 (Spring 1997): 5.

Chapman, Wayne.  "The Conference and International Symposium: An Overview."  Introduction to Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  xx-xxix.

Childs, Donald J.  "Mrs. Dalloway's Unexpected Guests: Virginia Woolf, T. S. Eliot, and Matthew Arnold."  Modern Language Quarterly 58 (1997): 63-82.

Cole, Sarah.  "The Ambivalence of the Outsider: Virginia Woolf and Male Friendship."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  191-97.

Connolly, Margaret.  "Meredith, Woolf, and the Art of Comedy."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  197-205.

Cramer, Patricia.  Introduction to Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  117-27.

___.  "'Pearls and the Porpoise': The Years--A Lesbian Memoir."  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  222-40.

Cuddy-Keane, Melba.  "Virginia Woolf and the Varieties of Historicist Experience."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  59-77.

Daugherty, Beth Rigel.  "Readin', Writin', and Revisin': Virginia Woolf's 'How Should One Read a Book?'"  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  159-75.

___.  "Teaching Mrs. Dalloway and Praisesong for the Widow as a Pair."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  175-82.

Dick, Susan.  "Virginia Woolf's 'The Cook.'"  Woolf Studies Annual 3 (1997): 122-42.

Doi, Yuko.  "The Image of Rooms as Stratified Structure in The Voyage Out."  Virginia Woolf Review 14 (1997): 28-29.  (In English.)

Dubino, Jeanne.  "Rambling through A Room of One's Own vs. Marching through I. A. Richards's Practical Criticism: On the Essay as an Anti-institutional Form."  In Virginia Woolf and the Arts: Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York: Pace Univ. Press, 1997.  283-91.

___.  "Virginia Woolf: From Book Reviewer to Literary Critic, 1904-1918."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  25-40.

Edson, Laura Gwyn.  "Kicking off her Knickers: Virginia Woolf's Rejection of Clothing as Realistic Detail."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  119-24.

Fernald, Anne E.  "Pleasure and Belief in 'Phases of Fiction.'"  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  193-211.

Flesher, Erika.  "Picturing the Truth in Fiction: Re-visionary Biography and the Illustrative Portraits for Orlando."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  39-47.

Freeman, B. C.  "Moments of Beating: Addiction and Inscription in Virginia Woolf's 'A Sketch of the Past' ('Moments of Being')." Diacritics 27 (1997): 65-76.

Fuegi, John, and Jo Francis.  "The Making of The War Within."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  206-17.  (Introducing and discussing the film The War Within, which was shown at the conference.)

Fukushima, Hiroko.  "Do Androginies Dream of Electronic Woolf?  A Feminist's Internet Approaches."  Virginia Woolf Review 14 (1997): 84-97.  (In Japanese.)

Galstad, Alison Ames.  "Dame Ethel Smyth: Composing Her Life."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  166-74.  (Includes Smyth discography.)

Gillespie, Diane F., and Leslie K. Hankins.  "The Conference Consciousness."  Introduction to Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  xiii-xix.

Gough, Val.  "'With Some Irony in her Interrogation': Woolf's Ironic Mysticism."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  85-90.

Greene, Sally.  "Brownean Motion in 'Solid Objects.'"  Virginia Woolf Miscellany 50 (Fall 1997): 2-3.

___.  "Entering Woolf's Renaissance Imaginary: A Second Look at The Second Common Reader."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  81-95.

___.  "Notes on a Vanishing Point."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  29-31.  (Considers a CD-ROM project on Woolf that Harcourt Brace initiated but has not carried out.)

___.  "Virginia Woolf and the Courtier's Art: The Renaissance Wit of A Room of One's Own."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  292-301.

Hankins, Leslie Kathleen.  "Orlando: 'A Precipice Marked V' between 'A Miracle of Discretion' and 'Lovemaking Unbelievable:  Indiscretions Incredible.'"  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  180-202.

Hanson, Clare.  "Virginia Woolf in the House of Love: Compulsory Heterosexuality in The Years." Journal of Gender Studies 6 (1997): 55-62.

Harris, Andrea L.  "'This Difference . . . this Identity . . . Was Overcome': Merging Masculine and Feminine in Virginia Woolf's The Waves."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  350-57.

Harris, S. C.  "The Ethics of Indecency: Censorship, Sexuality, and the Voice of the Academy in the Narration of Jacob's Room." Twentieth-Century Literature 43 (1997): 420-38.

Harvey, Kathryn.  "Historical Notes on Woolf and the Women's International League."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  142-49.

Haule, James M.  "Virginia Woolf under a Microscope."  Woolf Studies Annual 3 (1997): 143-59.  (A commentary on the making of Woolf concordances.)

Henry, Holly.  "Nebulous Networks: Woolf's Rethinking of Jeans's Analogy of the Scientist as Artist."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  268-76.

Hoff, Molly.  "Coming of Age in Mrs. Dalloway."  Woolf Studies Annual 3 (1997): 95-121.

___.  "Woolf's Mrs. Dalloway."  The Explicator 55 (1997): 215-19.

Hovey, Jaime.  "‘Kissing a Negress in the Dark’: Englishness as a Masquerade in Woolf’s Orlando."  PMLA 112 (1997): 383-404.

Howard, Susan E.  "Virginia Woolf and Toni Morrison: The Intersection of Discourse Communities in The Waves and The Bluest Eye."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  150-57.

Hungerford, Edward A.  "'Deeply and Consciously Affected . . .': Virginia Woolf's Reviews of the Romantic Poets."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  97-115.

Ichimura, Urara.  "The Years Reconsidered: Delia's Party as an Aspect of 'Hopeful Chaos.'"  Virginia Woolf Review 14 (1997): 30-44.  (In English.)

Ishikawa, Yuli.  "The Square upon the Oblong: Man-made Order and Its Fiction in The Waves."  Virginia Woolf Review 14 (1997): 45-65.  (In English.)

Jacobsen, Sally A.  "Four Stages in Woolf's Idea of Comedy: A Sense of Joviality and Magnanimity."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  215-33.

Johnson, George M.  "A Haunted House: Ghostly Presences in Woolf's Essays and Early Fiction."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  235-54.

Johnston, Georgia.  "Class Performance in Between the Acts: Audiences for Miss La Trobe and Mrs. Manresa."  Woolf Studies Annual 3 (1997): 61-75.

___.  "Virginia Woolf Revising Roger Fry into the Frames of 'A Sketch of the Past.'"  Biography 20 (1997): 284-301.

Kato, Megumi.  "The Milk Problem in To the Lighthouse." Virginia Woolf Miscellany 50 (Fall 1997): 5.

Kaufmann, Michael.  "A Modernism of One's Own: Virginia Woolf's TLS Reviews and Eliotic Modernism."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  137-55.

Laing, Katherine S.  "Addressing Femininity in the Twenties: Virginia Woolf and Rebecca West on Money, Mirrors and Masquerade."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  66-75.

Lambert, Elizabeth.  "Mrs. Dalloway Meets Robot Maria."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  277-82.

LeMay, E.  "'Continuum.' 1. 'Virginia Woolf and Memory.'" Antioch Review 55 (1997): 462-63.  (Poem.)

Lilienfeld, Jane.  "'The Gift of a China Inkpot':  Violet Dickinson, Virginia Woolf, Elizabeth Gaskell, Charlotte Brontë, and the Love of Women in Writing."  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  37-56.

Long, Jean.  "The Awkward Break: Woolf's Reading of Brontë and Austen in A Room of One's Own."  Woolf Studies Annual 3 (1997): 76-94.

Low, Lisa.  "Refusing to Hit Back: Virginia Woolf and the Impersonality Question."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  257-73.

___.  "Woolf's Allusions to Hedda Gabler in The Voyage Out." Virginia Woolf Miscellany 50 (Fall 1997): 3-4.

Luckhurst, Nicola.  "'Vogue [. . .] Is Going to Take up Mrs. Woolf; to Boom Her. . . .'"  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  75-84.

Mae-Maruyama, Kyoko.  "Mrs. Dalloway and a View of Religion in the Late Victorian and Edwardian Britain."  Virginia Woolf Review 14 (1997): 1-27.  (In Japanese.)

Marchi, Dudley M.  "Virginia Woolf Crossing the Borders of History, Culture, and Gender: The Case of Montaigne, Pater, and Gournay." Comparative Literature Studies 34 (1997): 1-30.

Mares, Cheryl J.  "'The Burning Ground of the Present': Woolf and Her Contemporaries."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  117-36.

May, Rachel.  "Sensible Elocution: How Translation Works in and upon Punctuation."  Translator 3 (1997): 1-20.  (Focuses on To the Lighthouse as well as some works by William Faulkner.)

McCue, Megan.  "Confronting Modernity: Virginia Woolf and Walter Benjamin."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  310-19.

McNaron, Toni A. H.  "A Lesbian Reading of Virginia Woolf." In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  10-20.

McNees, Eleanor.  "Colonizing Virginia Woolf: Scrutiny and Contemporary Cultural Views."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  41-58.

Menchaca, Frank.  "The Virtual Aleph of Virginia Woolf: Developing Major Authors on CD-ROM: Virginia Woolf."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  27-28.

Minow-Pinkney, Makiko.  "'How Then Does Light Return to the World after the Eclipse of the Sun? Miraculously, Frailly': A Psychoanalytic Interpretation of Woolf's Mysticism."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  90-98.

Moran, Patricia.  "‘The Cat Is out of the Bag’ and It Is a Male: Desmond MacCarthy and the Writing of A Room of One’s Own."  In Essays on Transgressive Readings: Reading over the Lines, ed. Georgia Johnston.  Lewiston, N.Y.: Edwin Mellen, 1997.  34-55.

Morgan, Geneviève Sanchis.  "Pouring Out Tea and Emptying Chamber Pots: Woolf, Carrington and the Domestic Front."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  112-18.

___.  "The Hostess and the Seamstress: Virginia Woolf's Creation of a Domestic Modernism."  In Unmanning Modernism:  Gendered Re-readings, ed. Elizabeth Jane Harrison and Shirley Peterson.  Knoxville: Univ. of Tennessee Press, 1997.  90-104.

Neverow, Vara.  "'Tak[ing] Our Stand Openly under the Lamps of Picadilly Circus': Footnoting the Influence of Josephine Butler on Three Guineas."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  13-24.

Nikolchina, Miglena, and Merry Pawlowski.  "A Preliminary Bibliographic Guide to the Footnotes of Three Guineas."  Woolf Studies Annual 3 (1997): 170-210.

Norton, Ann V.  "The Modernist and the Method: Correspondences between Virginia Woolf and Constantin Stanislavski."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  327-34.

Olsen, Victoria C.  "Family Fictions: Virginia Woolf and Julia Margaret Cameron."  Virginia Woolf Miscellany 49 (Spring 1997): 5.

Oxendine, Annette.  "Rhoda Submerged: Lesbian Suicide in The Waves."  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  203-21.

Partridge, Frances.  "Head, Heart and Hands of Bloomsbury." Virginia Woolf Miscellany 49 (Spring 1997): 2.  (On Quentin Bell; rpt. from The Guardian, 19 Dec. 1996.)

Paul, Marian O'Brien.  "The Voyage Out:  A Poem."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  237-42.

Pawlowski, Merry M.  "On Feminine Subjectivity and Fascist Ideology: The 'Sex-War' between Virginia Woolf and Wyndham Lewis."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  243-51.

Pawlowski, Merry M., and Vara Neverow.  "The Three Guineas Archive: A Hypertext Edition of Virginia Woolf's Reading Notebooks."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  25-28.

Perkins, Wendy.  "Virginia Woolf's Dialogues with the 'New Woman.'"  In Family Matters in the British and American Novel, ed. Andrea O'Reilly Herrera, Elizabeth Mahn Nollen, and Sheila Reitzel Foor.  Bowling Green, Ohio: Popular Press, 1997.  149-66.

Pidduck, Julianne.  "Travels with Sally Potter's Orlando: Gender, Narrative, Movement."  Screen 38 (1997): 172-89.

Piggford, George.  "'Who's that Girl?' Annie Lennox, Woolf's Orlando and Female Camp Androgyny."  Mosaic 30 (1997): 39-58.

Powers, Elizabeth.  "The Stain on Vanessa Stephen's Dress." Commentary (New York) 104, no. 5 (1997): 43-48.

Putzel, Steven D.  "Frame, Focus and Reflection: Virginia Woolf's Legacy to Women Playwrights."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  252-59

Rado, Lisa.  "Would the Real Virginia Woolf Please Stand Up?  Feminist Criticism, the Androgyny Debates, and Orlando."  Women's Studies:  An Interdisciplinary Journal 26 (1997): 147-69.

Reid, Panthea.  "Troublesomeness and Guilt: New Evidence from 1895." Virginia Woolf Miscellany 50 (Fall 1997): 2.

Rosenberg, Beth Carole, and Jeanne Dubino.  Introduction to Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.

Ruotolo, Lucio.  "In Pursuit of Freshwater: An Introduction."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  105-9.  (Introducing the Clemson Players' performance of Freshwater at the conference.)

___.  "Remembering Quentin Bell."  Virginia Woolf Miscellany 49 (Spring 1997): 3-4.

Sandbach-Dahlström, Catherine.  "'Que scais-je?': Virginia Woolf and the Essay as Feminist Critique."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  275-93.

Sarker, Sonita.  "An Unharmonious Trio? Georg Lukács, Music, and Virginia Woolf's Between the Acts."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  158-65.

Schiff, Karen.  "Moments of Reading and Woolf's Literary Criticism."  In Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  New York: St. Martin's, 1997.  177-92.

Schrecker, T.  "Money Matters: A Reality Check, with Help from Virginia Woolf."  Social Indicators Research 40 (1997): 99-123.  (Abstract: "This article provides a qualified defence of economic indicators of human well being.  Purchasing power obviously matters as a prerequisite for obtaining basic needs; abundant examples of human behaviour even in the richest countries in the world suggest that it matters for many other reasons, as well.  Despite the shortcomings of indicators like GDP and GNP, richer nations [like richer individuals] have options that are simply not available to poorer ones.  A particularly serious limitation of such indicators arises from their failure to take into account the distribution of income and wealth, both within and among nations.  Higher income does not automatically lead to increased well being, but extreme caution is in order about attempts to dismiss its contribution, or to pathologize certain forms of consumption.  While arguing the merits of a lifestyle less organized around consumption, proponents of sustainable development must acknowledge the strength of the evidence that money matters.")

Searls, Damion.  "Marbot's Memoirs and Mrs. Dalloway."  Virginia Woolf Miscellany 50 (Fall 1997): 4.

Sherard, Tracey.  "Voyage through The Waves: Woolf's Kaleidoscope of the 'Unpresentable.'"  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  125-33.

Sizemore, Christine W.  "Virginia Woolf as Modernist Foremother in Maureen Duffy's Play A Nightingale in Bloomsbury Square."  In Unmanning Modernism:  Gendered Re-readings, ed. Elizabeth Jane Harrison and Shirley Peterson.  Knoxville: Univ. of Tennessee Press, 1997.  117-32.

Smith, Patricia Juliana.  "'The Things People Don't Say':  Lesbian Panic in The Voyage Out."  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  128-45.

Snaith, Anna.  "'Curious Slides and Arrests': Class and Colonialism in the Relationship between Katherine Mansfield and Virginia Woolf."  In Lectures d'une oeuvre: Selected Stories de Katherine Mansfield. Paris: Editions du Temps, 1997.  143-58.

___.  "Virginia Woolf's Narrative Strategies: Negotiating between Public and Private."  Journal of Modern Literature 22 (1997): 133-48.

Spalding, Frances.  "Professor Quentin Bell."  Virginia Woolf Miscellany 49 (Spring 1997): 3.  (Rpt. from The Independent, 18 Dec. 1996.)

Springer, JoAnn.  "Unhousing the Self: Virtual Space in Between the Acts."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  218-27.

Stansky, Peter.  "Memories of Quentin."  Virginia Woolf Miscellany 49 (Spring 1997): 1-2.

Stape, J. H.  "'The Man at Worthing' and the Author of 'the Most Insipid Verse She Had Ever Read in Her Life': Two Allusions in Orlando." Virginia Woolf Miscellany 50 (Fall 1997): 5-6.

Staveley, Alice.  "'Kew Will Do': Cultivating Fictions of Kew Gardens."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  57-66.

Swanson, Diana.  "An Antigone Complex? The Political Psychology of The Years and Three Guineas."  Woolf Studies Annual 3 (1997): 28-44.

___.  "Safe Space or Danger Zone?  Incest and the Paradox of Writing in Woolf's Life."  In Creating Safe Space:  Violence and Women's Writing, ed. Tomoko Kuribayashi and Julie Tharp.  Albany:  State Univ. of New York Press, 1997.  79-99.

Taddeo, Julie.  "A Modernist Romance? Lytton Strachey and the Women of Bloomsbury."  In Unmanning Modernism:  Gendered Re-readings, ed. Elizabeth Jane Harrison and Shirley Peterson.  Knoxville: Univ. of Tennessee Press, 1997.  132-52.

Taketani, Kikuo.  "A Bibliography of Virginia Woolf Studies in Japan." Virginia Woolf Review 14 (1997): 73-83.  (In Japanese.)

Tratner, Michael.  "The Value of Difference: Economics, Genders and War in Three Guineas."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  302-9.

Tylee, Claire M.  "The Spectacle of War: Photographs of the Russian Front by Florence Farmborough."  Women:  A Cultural Review 8 (1997): 65-80.  (Includes discussion of A Room of One's Own.)

Vanita, Ruth.  "Bringing Buried Things to Light: Homoerotic Alliances in To the Lighthouse."  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  165-79.

Weintraub, Stanley.  "Who's Afraid of Virginia Woolf?  Virginia and G.B.S."  Charleston Magazine, Autumn/Winter 1997, 19-29.

Wachman, Gay.  "Pink Icing and a Narrow Bed: Mrs. Dalloway and Lesbian History."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  344-50.

Walker, Brandy Brown.  "Lily's Last Stroke: Painting in Process in Virginia Woolf's To the Lighthouse."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  32-38.

Webb, Caroline.  "The Room as Laboratory: The Gender of Science and Literature in Modernist Polemics."  In Modernism, Gender, and Culture:  A Cultural Studies Approach,  ed. Lisa Rado.  New York:  Garland, 1997.  337-52.

Weil, Lise.  "Entering a Lesbian Field of Vision: To the Lighthouse and Between the Acts."  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  241-58.

Westman, Karin E.  "History as Drama: Towards a Feminist Materialist Historiography."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  335-43.

Whitworth, Michael.  "'The Indian and His Cross' in Mrs. Dalloway."  Virginia Woolf Miscellany 49 (Spring 1997): 4.

Winston, Janet.  "Reading Influences: Homoeroticism and Mentoring in Katherine Mansfield's 'Carnation' and Virginia Woolf's 'Moments of Being: "Slater's Pins Have No Points."'"  In Virginia Woolf:  Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  New York: New York Univ. Press, 1997.  57-77.

Wussow, Helen.  "Travesties of Excellence: Julia Margaret Cameron, Lytton Strachey, Virginia Woolf, and the Photographic Image."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  48-56.

Yokas, E.  "Beyond Therapy: Ramsay's Journey through Psychoanalysis."  In Virginia Woolf and the Arts:  Selected Papers from the Sixth Annual Conference on Virginia Woolf, ed. Diane F. Gillespie and Leslie K. Hankins.  New York:  Pace Univ. Press, 1997.  228-36.

Young, Suzanne.  "The Unnatural Object of Modernist Aesthetics: Artifice in Woolf's Orlando."  In Unmanning Modernism:  Gendered Re-readings, ed. Elizabeth Jane Harrison and Shirley Peterson.  Knoxville: Univ. of Tennessee Press, 1997.  168-87.

Dissertations

Blythe, Victoria Anne J.  "The Literary Monument Retroped: Virginia Woolf and the Poetics of the Crypt."  Ph.D. diss., New York Univ., 1997.

Carstens, Lisa Ann.  "Tiresias in the Twentieth Century: Sex Change, Gender Politics, and Cultural Authority in Eliot, Joyce, and Woolf."  Ph.D. diss., Univ. of California, Irvine, 1997.

DaRosa, Marc Joseph.  "The Newspaper, the Novel, and the Project of Modernism: Reflections of Journalistic Form and Authority in James, Woolf and Joyce."  Ph.D. diss.,  Univ. of Calif., Berkeley, 1997.

Detloff, Madelyn.  "Production of the Past: Revisionary Historiography in the Writing of H.D., Gertrude Stein, and Virginia Woolf."  Ph.D. diss., Univ. of California, Santa Barbara, 1997.

Edson Puolo, Laura Gwyn.  "Abstract Images of Clothing in the Psychological Novels of William Faulkner and Virginia Woolf."  Ph.D. diss., institution unknown, 1997.

Flesher, Erika Anne.  "'I Saw His Face': Verbal and Visual Portraiture in Modernist Literature."  Ph.D. diss., Univ. of California, Irvine, 1997.  (Considers Woolf along with Langston Hughes and James Joyce.)

Hama, Mark Louis.  "Time and Power: The Social Construction of Time in Modern Fiction."  Ph.D. diss., Tulane Univ., 1997.  (Considers Mrs. Dalloway together with Conrad's Secret Agent and James's Ambassadors.)

Hill, Lisa Lynn Daniel.  "(Re)Reading Woolf and Writing: Implications for a Postmodern Composition Pedagogy."  Ph.D. diss., Univ. of Texas at Arlington, 1997.

Naccarato, Peter Francis.  "Making Literature in the Age of Science: Woolf, Freud, and Disciplinarity."  Ph.D. diss., State Univ.of New York, Stony Brook, 1997.

Richards, Diane Lee.  "Crossing Boundaries: Genre, Voice, and Marginality in the Monologues of Robert Browning, William Faulkner, and Virginia Woolf."  Ph.D. diss., Univ. of California, Berkeley, 1997.

Schraefel, Monica M.C.  "Talking with Antigone."  Ph.D. diss., Univ. of Victoria, 1997.

Smashey, Melinda Ruth.  "The Relationship of the Piano Accompaniments to the Texts and Vocal Lines in Dominick Argento's 'From the Diary of Virginia Woolf.'"  Ph.D. diss., Univ. of Missouri, Kansas City, 1997.

Sokoloff, Margery Lyn.  "The Nothing That Was: Trauma at Home in the Works of George Eliot, Rebecca West and Virginia Woolf."  Ph.D. diss., Yale Univ., 1997.  (Considers Mrs. Dalloway, Daniel Deronda, and The Return of the Soldier.)

Vial, Anne Merriam.  "The Life of Narrative: Convention Redefined in the Lives and Fictions of Katherine Mansfield, Dorothy Richardson, Virginia Woolf."  Ph.D. diss., Indiana Univ., 1997.

Villeneuve, Pierre-Éric.  "Modalités épistolaires chez Virginia Woolf.  Vers une économie politique de l'aveu."  Ph.D. diss., Université du Quebec à Montréal, 1997.

Wilson, Anne Krichels.  "Revising the Lighthouse: Interrogations of Christian Narrative Models in the Literature of the Transition."  Ph.d. diss., New York Univ., 1997.

Young, Suzanne Hamilton.  "'Myths Tongue-Tied with Girl-Talk': Sexuality and Aesthetics in 'Female' Modernism."  Ph.D. diss., Univ. of Virginia, 1997.  (Considers Orlando as well as H.D.'s HERmione and Djuna Barnes's Ladies' Almanack.)

Master's theses

James, Gwendolyn L.  "Autonomy from Community: New Possibilities for the Study of the Doppelganger."  Master's thesis, Eastern Washington Univ., 1997.

Miller, Jennifer Lee.  "Imperialism Imperiled: Two Novels of Virginia Woolf."  Master's thesis, Univ. of North Carolina at Chapel Hill, 1997.

Mizuo, Ayako.  "Problems of Identity in Virginia Woolf's The Waves:  Rhoda and the Woman's Sentence."  Master's thesis, Univ. of Wyoming, 1997.

Scaramuzzino, Amy.  "Rewriting Female Sexuality: Manipulations and Omissions in the Literary Biographies of Sappho and Virginia Woolf."  Master's thesis, St. Bonaventure Univ., 1997.

Stonewater, Jacque L.  "The Tolerance of Difference in Virginia Woolf's Mrs. Dalloway."  Master's thesis, Stetson Univ., 1997.

Undergraduate theses

Evans, Katherine Ann.  "Creating the Artist's 'I': A Psychoanalytic Reading of Proust and Woolf."  Undergraduate honors thesis, Smith College, 1997.

Gale, Karen.  "Perception Creates Art: (In the Hands of the Beholder, Art Is Created)."  Undergraduate thesis, Linfield College, 1997.  (Subject:  To the Lighthouse.)

Rayl, Tiffany.  "Lines and Boundaries: Rejection and Transgressing Gender and Literary Form in Feminist Criticism and the Works of Virginia Woolf and Jeanette Winterson."  Undergraduate honors thesis, Coe College, 1997.

Romero, Channette Marie.  "Appropriating History: Virginia Woolf's Between the Acts."  Undergraduate honors thesis, College of William and Mary, 1997.

Reviews

Antor, H.  Review of Vita and Virginia: The Work and Friendship of V. Sackville-West and Virginia Woolf, by Susanne Raitt.  Anglia-Zeitschrift fur Englische Philologie 115 (1997): 281-88.  (In German.)

Barrett, Eileen, and Patricia Cramer.  Review of Art and Affection: A Life of Virginia Woolf, by Panthea Reid.  San Francisco Sunday Examiner and Chronicle Book Review, 12 Jan. 1997, 7-8.

___.  Review of Bloomsbury Pie: The Making of the Bloomsbury Boom, by Regina Marler.  San Francisco Sunday Examiner and Chronicle Book Review, 9 Nov. 1997, 9.

___.  Review of Refiguring Modernism, Vol. 1: The Women of 1928 and Vol. 2: Postmodern Feminist Readings of Woolf, West, and Barnes, by Bonnie Kime Scott.  Woolf Studies Annual 3 (1997): 224-29.

___.  Review of Virginia Woolf, by Hermione Lee. San Francisco Sunday Examiner and Chronicle Book Review, 22 June 1997, 8.

Caughie, Pamela.  Review of Passions of the Voice: Hysteria, Narrative, and The Figure of the Speaking Woman, 1850-1915, by Clare Kahane.  Woolf Studies Annual 3 (1997): 230-34.

Davies, Stevie.  Review of The Unknown Virginia Woolf, by Roger Poole and Virginia Woolf, by James King.  Journal of Gender Studies 6 (1997): 92-94.

Davis-Clapper, Laura.  "Virginia Woolf:  Bearing the Burdens of the Past."  Review of Virginia Woolf, by James King. Review 19 (1997): 161-84.

Frosch, W. A.  Review of Virginia Woolf, by Hermione Lee. American Journal of Psychiatry 154 (1997): 1775-76.

Garvey, J. X. K.  Review of Word of Mouth: Body Language in Katherine Mansfield and Virginia Woolf, by Patricia Moran.  Modern Fiction Studies 43 (1997): 1024-27.

Grey, S. H.  Review of Anglo-American Feminist Challenges to the Rhetorical Traditions: Virginia Woolf, Mary Daly, Adrienne Rich, by Krista Ratcliffe. Quarterly Journal of Speech 83 (1997): 247-49.

Heilbrun, Carolyn G.  Review of Virginia Woolf, by Hermione Lee.  Charleston Magazine, Spring/Summer 1997, 41-45.

Hungerford, Edward A.  Review of Art and Affection: A Life of Virginia Woolf, by Panthea Reid.  Virginia Woolf Miscellany 50 (1997): 6-7.

Kitagawa, Yoriko.  Review of Virginia Woolf: The Common Ground, by Gillian Beer.  Virginia Woolf Review 14 (1997): 66-69.  (In Japanese.)

LaGuardia, C., and E. Tallent.  Review of Major Authors on CD-ROM: Virginia Woolf, ed. Mark Hussey.  Library Journal 122 (1997): 112.

Laurence, Patricia.  Review of Bloomsbury Recalled, by Quentin Bell.  English Literature in Transition 40 (1997): 181-84.

Levine-Keating, Helane.  Review of Conceived with Malice: Literature as Revenge in the Lives and Works of Virginia and Leonard Woolf, D. H. Lawrence, Djuna Barnes, and Henry Miller, by Louise DeSalvo. Woolf Studies Annual 3 (1997): 216-18.

Low, Lisa.  Review of The Politics of the Essay: Feminist Perspectives, ed. Ruth-Ellen Boetcher Joeres and Elizabeth Mittman.  Woolf Studies Annual 3 (1997): 254-56.

McNees, Eleanor.  Review of The Unknown Virginia Woolf, 4th ed., by Roger Poole and The Flight of the Mind: Virginia Woolf's Art and Manic-Depressive Illness, by Thomas C. Caramagno.  Woolf Studies Annual 3 (1997): 237-42.

Mortimer, G.  Review of Eudora Welty and Virginia Woolf: Gender, Genre, and Influence, by Suzan Harrison.  Tulsa Studies in Women's Literature 16 (1997): 383-85.

Neverow, Vara.  Review of Anglo-American Feminist Challenges to the Rhetorical Traditions: Virginia Woolf, Mary Daly, Adrienne Rich, by Krista Ratcliffe.  Woolf Studies Annual 3 (1997): 219-23.

Ratliff, R.  Review of Virginia Woolf, by Hermione Lee. Library Journal 122 (1997): 104.

RoggeWest, G.  Review of The Aesthetic of Virginia Woolf. Reconstruction of Her Fundamental Philosophical and Aesthetic Views Based on Her Non-Fictional Writings (in German), by V. Nunning.  Zeitschrift fur Anglistik und Amerikanistik 45 (1997): 85-87.  (In German.)

Rosenberg, Beth Carole.  Review of The Appropriated Voice: Narrative Authority in Conrad, Forster, and Woolf, by Bette London.  Woolf Studies Annual 3 (1997): 248-53.

Rudikoff, Sonya.  Review of Bloomsbury's Women: Distinct Figures in Life and Art, by Jan Marsh.  Virginia Woolf Miscellany 49 (Spring 1997): 6.

Schenk, L.  Review of Virginia Woolf, by Hermione Lee. World Literature Today 71 (1997): 797-98.

Scott, Bonnie Kime.  Review of Framing Pieces: Designs in the Gloss in Joyce, Woolf and Pound, by John Whittier-Ferguson.  Woolf Studies Annual 3 (1997): 257-59.

Sera, Kunihiko.  Review of On or About December 1910, by Peter Stansky.  Virginia Woolf Review 14 (1997): 70-72.  (In Japanese.)

Shone, Richard.  Review of Woolf's Roger Fry, edited for the Shakespeare Head Press by Diane Gillespie.  Charleston Magazine, Spring/Summer 1997, 51-52.

Sizemore, Christine.  Review of Bordering on the Body: The Racial Matrix of Modern Fiction and Culture, by Laura Doyle.  Woolf Studies Annual 3 (1997): 211-15

Stape, J. H.  Review of Recasting Social Values in the Work of Virginia Woolf, by J. S. Reese.  English Literature in Transition 40 (1997): 464-66.

Tremper, Ellen.  Review of Bloomsbury Heritage series monographs nos. 7-10: Bloomsbury Ceramics, by Abigail Williams; Virginia Woolf and Anti-Semitism, by Jean Moorcroft Wilson; Staying at Monk's House: Echoes of the Woolfs, by Sarah Bird Wright; and Virginia Woolf and the East, by Patricia Laurence.  Virginia Woolf Miscellany 49 (Spring 1997): 7.

Villeneuve, Pierre-Éric.  Review of Virginia Woolf, by Hermione Lee.  Virginia Woolf Miscellany 50 (Fall 1997): 8-9.

Willis, J. H.  Review of The Bloomsbury Heritage Series.  Woolf Studies Annual 3 (1997): 243-47.

Wussow, Helen.  Review of The Dialogic and Difference: "An/Other Woman" in Virginia Woolf and Christa Wolf, by Ann Herman.  Woolf Studies Annual 3 (1997): 235-36.

New publications of texts by Virginia Woolf

Great Books Foundation.  Identity and Self-Respect.  Chicago: Great Books Foundation, 1997.  (This volume in the Foundation's fiftieth anniversary series includes A Room of One's Own, together with James Baldwin's The Fire Next Time, Plato's Apology, Alice Munro's A Real Life, Chekhov's A Dull Story, and a selection of poetry by T. S. Eliot.)

Woolf, Virginia.  Monday or Tuesday:  Eight Stories.  Mineola, N.Y.:  Dover (Dover Thrift Editions), 1997.  (Republication of the 1921 Harcourt Brace edition.)

___.  Wlasny Pokoj.  Warszawa: Wydawn. Sic!, 1997.  (Polish trans. of A Room of One's Own.)
 

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(Last updated: 10/14/99.)